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haha - they don't but I enjoy their amps a lot - that's motivation enough.

Thanx - glad you enjoyed it. 😃

I tried, I tried 😄

Thanks for sharing your opinion.

Thanks for sharing your thoughts and appreciating my work. I have not even considered Mick Taylor yet and focussed more on the usual suspects. Unfortunately YT makes it hard to publish some original footage for this series due to copyright restrictions.

Thanks for watching!

It's just you - check your audio-devices. Audio is definitively there.

ah it was my audio sorry about that 😅

@@jimmysaville1952 : lol - no problem - have a nice evening.

Danke Dir - wünsche Dir ein tolles neues Jahr 2024

@@DizzyKrissi für dich auch. Danke

Appreciated - have fun and a merry x-mas.

Thank you! No, I've not yet tried the sidecar but recently got the "Double Agent" during Cyber-Week. It's ok for what it is and does its job. I also have the "Evil Twin" which is a really good pedal.

In regards to ice skating I won't be able to help you but I hope you find some stuff to improve/learn the blues here. A good teacher is the way to go.

Thanks for your comment - I never thought about that. He uses the same vibrato Eric Clapton uses - not touching the neck with his palm and moving the whole arm to get a very controlled vibrato while holding his hands stiffly.

lol - in the video he tells everyone that he's got the idea from Eric Johnson - but since he shows his version of this technique I decided to take his name 😁

Sure you know the definition of a "double stop"???

lol - moin Olli!!!!

Unterschätze das Teil nicht - ich spiele meine Gigs NUR noch mit dem Superblock oder bei lauteren Gigs mit dem Toneblock. Tontechniker letzte Woche, als ich beim Soundcheck ein paar Töne gespielt habe: ich weiß, dass das nach vorne hin gut klingen wird 😁

@@DizzyKrissi sag nochma: was ist der Unterschied zwischen Super und Tone?

@@hartguitar : die Superblöcke gibt es in UK und US (Fenderish)-Ausführung, haben 25 Watt. Der Toneblock 202 hat 200 Watt. Eigentlich reichen die 25 Watt aus - auch auf großen Bühnen. Ich würde den Superblock US empfehlen. Den UK habe ich hier zum Üben und für RUclips. Toneblock ist super, wenn der Kollege mal wieder seinen Marshall aufreisst und mich an die Wand drückt 😅

thanks - love goes back to you

Wow - Brenda - this is great - it is never to late to start playing an instrument. I wish you an awesome musical journey. Thanks for checking out my channel.

This was the intention. Did you expect more?

@@DizzyKrissi no, you see so many guitar tutorials on it and they are all different. Least you know, Don Felder tutorial, that it .😂👍

This is no backing track - just a simple drum pattern. You e.g. can create simple drums online with "drumbit".

​@@DizzyKrissi thank you!

lol - ich habe nicht einmal eine Redbox - irgendwo fliegt noch'ne DI-Box rum, die ich aber bei Gigs nicht dabei habe. Für's Worst-Case-Szenario habe ich so'n Pedalfloor-Amp (Hotone Britwind). Die Thomann-Treter sind richtig gut.

@@DizzyKrissi der Britwind ist großartig- leider nicht die speaker-sim davon 🥲

@@hartguitar : das Grundkonzept ist genial, aber klanglich ist da noch viel Luft nach oben. Es ist halt ein Notnagel.

@@DizzyKrissi klang in meinem Video bei session live auch besser als abgenommen . . .

I got some Gary Moore - just check out the play list. Thanks for your feedback

I guess you cared more about his left hand fingerings? I included them in the tabs - just like the picking direction so you don't have to miss a thing. I am sorry if you feel uncomfortable with the design decision. Merry x-mas.

@@DizzyKrissi I have found the secret to really being able to nail the EJ/JB cascading pentatonics sound is in the minute details of the picking hand. Like the Troy Grady Cracking the Code Series - very specific and deliberate pick angle, when and how you change strings amid the run, etc. I have the fretting hand speed and accuracy down, just can't get the rapid fire picking style down yet. I do see the upstroke/downstroke notations on the tab. I will take a closer look. Sorry if my comment sounded snappy. Merry Xmas to you as well!

PS, the more I dig into your channel, the more I DIG your channel! :D

@@DanielBrophyMusic : Daniel, it may also be that my channel needs some time to get accustomed to!? Merry x-mas for you, too!

Hey Louis - glad you found something useful here.

Glad you like it - Jeff played really interesting stuff. Did you know that he also played trumpet in a swing-band?

I used to play with 9 gauge strings but every show I broke one. After changing to 10 gauge I rarely break a string.

I just hear him hitting the strings harder on the last note.

glad it works for you - I only tested the pedal with stratocasters so far. Cheers

61 amp setting. Set the eq to your liking. Gain is nearly maxed out and limiter around 3 quarters up. I used the neck pickup of my Player Plus Stratocaster (Noiseless Pickups).

You are that guy with that excellent british humour.

@@DizzyKrissi Daft, you mean! But thank you and nice to ‘meet’ you. You’re all incredibly talented and the song is fantastic👍

At least it feels like he's trying. There is also an amazing lick on "Texas Flood" played at the El Mocambo. I've transcribed it 2 years ago. Maybe it is something I will soon include to this series. But it will take some practice to demo it. Even Anthony from "Texas Blues Alley" has trouble with this very special lick.